Most people in the United States have never heard of Sor Juan Inés de la Cruz, but people in the Spanish-speaking world, even those who have not read any of her works, know her name. She is considered the greatest Spanish-language poet, philosopher and scholar of the 17th century. She is one of the most important female figures in world literature, and, in some respects, an early feminist.
Sor Juana was born Juana Inés Asbaje in 1651 on an hacienda near Mexico City. She was the illegitimate daughter of a wealthy Spaniard. Juana was a child prodigy who could read and write by the age of three. She learned Latin, Greek and even the Aztec language of Nahuatl. By age eight she was writing poetry. Girls did not have access to a formal education, so she learned by secretly reading books from her grandfather's extensive library. Because of her family connections she gained a position as a lady-in-waiting at the court of the Viceroy. She received several proposals of marriage, but she turned them all down.
In 1669 she entered a Jeronymite nunnery in Mexico City. There she devoted herself to her studies. She amassed a library of around 4000 volumes as well as a collection of musical instruments and scientific equipment. She wrote more than 100 works, only a few of which have survived. Her writings included passionate love poems, as well as works defending the right of women to formal education and criticizing the misogyny and hypocrisy of men. Her most famous poem, whose opening lines most well-educated Mexicans can recite, begins...
"Hombres necios que acusáis
a la mujer sin razón..."
"You stubborn men who accuse
women without reason..."
Her writings provoked controversy within the church hierarchy, and in 1694, perhaps in order to avoid official censure, she gave up writing and sold her collection of books. The following year she died after attending to her sister nuns during an outbreak of the plague.
The former convent of San Jerónimo still stands on the southern edge of the "Centro Histórico¨. The area around the church and convent has been cleaned up a bit. There used to be a number of homeless people laying around in the plaza in front of the church, and the area smelled of urine. However, there is still a lot of graffiti on the buildings on the opposite side of the plaza.
Since 1979, the former convent has been occupied by a university, "Universidad del Claustro de Sor Juana", a private school which is best known for its courses in gastronomy. Admission into the building was rather restricted, and no photography was allowed. Recently, however, one of the rooms inside has been opened to the public as a small museum dedicated to the brilliant woman who lived, studied, and wrote here for more than twenty years.You enter through a rather hard to find entrance of the other side of the building. You pass through an attractive garden courtyard called the Patio of the Novices.
There is a bust of Sor Juana in the courtyard.
The museum is located in the hall called the "sotocoro", the room beneath the church choir.
A replica of a famous portrait of Sor Juana, done posthumously around 1750 by Miguel Cabrera, one of the most important painters of colonial Mexico, hangs on the wall. (The original is in the National History Museum in Chapultepec Castle.)
This is a replica of Sor Juana's habit. The large medallion she wore is known as a nun's shield. It was worn on formal occasions, and was an indication of her high rank in the convent. It was made of tortoise shell and painted with a religious scene.
In Mexico you see Sor Juana's visage every time you take a 100 peso bill from your wallet.
The "sotocoro" was used as the burial place of the nuns. Although the exact location is not indicated, this plaque commemorates Sor Juana's burial in this hall on April 17, 1695.
Although the museum is very small, I am glad that the university has opened a small portion of the former nunnery to the public as a tribute to this remarkable woman.